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Archive for the tag “Hayao Miyazaki”

My Geeky Trivia

By Geeky Gem

For today’s trivia I thought I would got back to some anime from the wonderful Studio Ghibli, Arrietty is based on the story of The Borrowers and it is a beautiful piece.

arritty

Directorial debut of animator Hiromasa Yonebayashi.

Hayao Miyazaki and Isao Takahata had considered adapting the novel for the past 40 years.

Hayao Miyazaki began the development stages in July of 2008. His original plans included a run time of 80 minutes and the film to be titled “Chiisana Arrietty” (Little Arrietty).

The story takes place in 2010 in Western Tokyo’s neighborhood of Koganei. Koganei is also where Studio Ghibli is located.

At 36 years old Hiromasa Yonebayashi, was the youngest person to direct a film for Studio Ghibli.

French singer Cécile Corbel, a big fan of Studio Ghibli’s films, had sent the studio her second album as a gift back in 2009. Toshio Suzuki listened to it, was seduced and thus decided to hire her to compose the film’s score.

The fourth feature film from Studio Ghibli to not be directed by Hayao Miyazaki or studio co-founder Isao Takahata.

7.5 million people saw the film in theaters, an all-time record in Japan for a movie with a first time director.

Nervous at the idea of directing the film himself, Hiromasa Yonebayashi would initially always seek Hayao Miyazaki advice and opinions. He eventually realized he was on a journey he should face alone when the time came to draw the storyboard, and Miyazaki congratulated him for it.

In the Borrowers’ home, they have three cups with playing card symbols (heart, diamond, and club). The only symbol they do not have is the spade, which in many cultures is considered to be bad luck.

Wednesday Whimsy

Wednesday Whimsy

By: Caelrona

Hiya all! It is Wednesday again, and that means I am back in action with another blog post. First off, I’d like to wish you all a Happy New Year! Secondly, I’d like to say sorry. Last week I said I was going to be doing an article on Holiday anime, and unfortunately I can’t do them this week either. I tried my local anime/manga store and they don’t carry them, and I am still waiting for the downloads to complete, because no one is seeding them. I am literally sitting at 99.95% completion on one of them, and can’t watch it because of the 0.05% that is missing from the file. So yeah, sorry about the let down on the Holiday anime, but I did try. If you’d like to give them a go yourself, they were Tokyo Godfathers and Itsudatte My Santa! They look pretty good, and I’d really love to hear about them if you have seen them / watch them!

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Well, since I can’t bring you Holiday anime I thought the least I could do is bring you some good anime news. Studio Ghibli has announced two new films for 2013. Co-founders Hayao Miyazaki and Isao Takahata will each be directing a film, The Wind Is Rising and The Tale of Princess Kaguya. Even more exciting is that they will be released on the same day, which is something that Ghibli hasn’t done since My Neighbor Totoro and Grave of the Fireflies were released a whopping 25 years ago! There isn’t a specific release date, just that they will be released sometime this summer (in Japan, anyway. Hopefully the English dubbing doesn’t take too long!)

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According to sources online, The Wind is Rising, which the amazing Hayao Miyazaki wrote and is directing, is centered around Jiro Horikoshi, the designer of the Mitsubishi A6M Zero fighter plane which was used by Japan during World War II. This will be the first feature film Miyazaki has directed since 2008’s Ponyo. Meanwhile, The Tale of Princess Kaguya will be directed by Takahata, who is best known for Grave of the Fireflies. Princess Kaguya is a character from Japanese folklore, who was discovered as a baby growing inside a glowing stalk of bamboo. The tagline for the movie apparently translates to “A Princess’s crime and punishment” so if you are familiar with the folktale, that gives you a little hint on which direction the movie is going to go (and if you aren’t familiar, the tale is on Wikipedia.) Apart from the two confirmed releases, there is also talk online of a sequel to 1992’s Porco Rosso, which will apparently also be coming out sometime this year.

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Studio Ghibli has released websites for both movies, but they are only available in Japanese. So if you can read Japanese, you can visit the websites for them. If you can’t, then you can still visit the websites because there isn’t much to be seen at either site. They just have the promotional poster with their names and a little bit of info at the bottom about the release coming in the summer. I tried to find more info on them, but there are scant amounts to be found – not even OVA or commercials for either movie can be found on youtube yet, but hopefully we’ll be seeing some promotion for them hit the internet here pretty soon.

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The only thing to tint these releases with a bit of sadness is the fact that they may very well be the last films for either of the legendary directors. Takahata (75) and Miyazaki (71) are both getting on in years, and there has been speculation for several years about them retiring. This summer will certainly be a critical milestone for the studio, since it completes the ‘Five Year Plan’ of the studio to introduce the next generation of directors, while Takahata and Miyazaki prepare to move to more background roles, which they have certainly earned and deserve. Of the recent Ghibli directors, only two have stayed with the studio – Goro Miyazaki (From Up On Poppy Hill), who is slowly earning his father’s throne; and Hiromasa Yonebayashi (The Secret World of Arietty), who is the first new director since Yoshifumi Kondo (Whisper of the Heart) to earn Miyazaki’s full support and respect. Will these be the last works of the Studio Ghibli founders? I guess we’ll have to wait and see.

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Anyway, again I am sorry about the Holiday anime let down, but I am hoping I made it up to you with the good news from Studio Ghibli! Next week I will try to bring you something more exciting, but until them I am going to go continue playing Assassin’s Creed II. See you all next week!

Until next time,

Caelrona – signing off! <3

The Magical World of Miyazaki: Kiki’s Delivery Service

  By Geeky Gem

As you all know I have a thing for Studio Ghibli movies and have seen close to all of them, in these articles I have and will continue to tell you about them. This time I thought I would tell you about Kiki’s Delivery Service.

Kiki’s Delivery Service first came out in Japan in 1989, and was translated and released in the UK in 1997. It was the first release from the Disney/Ghibli partnership. The film was a success for Ghibli as are so many of their movies. It won the Animage Anime Grand Prix prize in 1989, the movie is loosely based on the novel of the same name by Eiko Kadono. Again this movie was written and directed by Hayao Miyazaki.

According to Miyazaki the movie touches on the gulf that exists between independence and reliance in Japanese teenage girls. Going beyond the coming of age themes, this movie deals with the nature of creativity and talent, and the central difficulty every person faces in becoming themselves, whether through luck, hard work or confidence: the inner movie explores the same questions that are later asked in Whisper of the Heart, which we will come to on this journey.

Kiki is a 13 year old witch-in-training, living in a village where her mother is local herbalist. It is traditional for witches to live for a year on their own when they reach 13 years of age. At the start of the story Kiki takes off for the big city with her best friends Jiji her cat. Kiki decides to live in the city of Koirko which is on the coast near a beautiful sea. After a hard start, Kiki finds herself some friends and a place to stay. But she only has one of her witch abilities which is she can fly a broomstick. Which at first she is not very good at. She decides in order to look after herself and earn some money that she will open a delivery service.

As you can imagine Kiki does have some set backs, and many are to do with her adolescent worries. She is also chased all over town by a boy called Tombo, the local crazy boy who is mad about aviation and is fascinated by Kiki’s ability to fly. Kiki eventually warms up to him and they become friends. After a nasty event involving some of Tombo’s friends Kiki is left very upset, so much so that her ability to talk to Jiji and fly disappears. She now has to figure out how to get these powers back. When Tombo’s ends up in some trouble, Kiki must try to save him, but she still has no powers. It is with this attempt to save him that she regains her powers and rescues her friend. The story carries on through the closing credits, you see Kiki settle into her new home, and she is somewhat of a local celebrity.

By now you should being seeing the themes that run through Miyazaki movies, he wants to portray the struggles of his characters but he makes them so you can relate to them in some way. Here for example we meet Kiki and her struggles to deal with adolescence, something I could relate to very easily, the awkwardness of being a teenager and finding you are now of an age where you have to start being responsible for your actions and choices. This is a hard thing for anyone to get used to. This again is one of Miyazaki’s life telling stories, I think this is the real reason why I like these movies so much.

Again the music is beautiful and always fits fantastically with the action on the screen. Its one thing that isn’t lost in the translation. I have seen this movie in both Japanese and English and as always the voice for both languages is brilliant. There is something about the way Miyazaki picked his actors and he does have a say on who is cats in the English dub version which I think is really important.

This is the part where I tell you if you haven’t seen it then you must, but if you have read the other pieces I have done on Miyazaki and you have liked them and have indeed liked the films if you have seen any of them, then I don’t need to tell you, this Is a must see. You’ll just know, and you’ll add it to the list of things you have to see.

The Magical World of Miyazaki: Princess Mononoke

By Geeky Gem 

In The Magical World of Miyazaki, I have looked at Spirited Away and My Neighbour Totoro. This week, our magical journey continues, with a look at the epic Japanese fantasy, Princess Mononoke. Hitting the screens in 1997, this film was again written by Hayao Miyazaki. The title Mononoke, is not a name as such, but the Japanese term for Spirit or Monster.

Believe it or not, this film is actually a period drama set in the late Muromachi Period, with a few fantastical elements thrown in for good measure. The film involves Ashitaka and the struggle between the supernatural guardians of the forest, and the humans of Iron Town. The people of Iron Town are consuming the forest’s resources. The overall theme of the story is that the humans and forest spirits can live in harmony, or more broadly, humankind and nature should live in harmony, a very environmental message.

The story opens with a giant boar demon attacking Emishi village and Ashitaka. Ashitaka is forced to fight and kill the demon. However in the struggle Ashitaka receives a curse which grants him superhuman power, but will eventually kill him. Under the advice of the village wise-woman, he leaves the village in order to travel west in search of a cure.

After a few days on the road, he meets Jigo a wandering Monk, who tells him that he might be able find help from a forest spirit who lives in the mountain range. However, this task won’t be easy, the inhabitants of the area are gigantic animal Gods, and complicating matters, Iron Town is also near by. The people of Iron Town are consonantly clearing the nearby forest, in order to get charcoal, to smelt iron sand which they use to make firearms. This leads to a battle with the giant forest beasts. Among these animals there are a pack of giant wolves, accompanied by San, a human girl, who the wolves adopted. It is she that the people of Iron Town call Princess Mononoke.

Ashitaka finds two villagers injured by the wolves near a river, and helps them back to Iron Town. It is here where he gets his first look at forest spirit. A Kirin-like creature by day and a towering night walker by night.

While in Iron Town Ashitaka learns from Lady Eboshi, the manager of the town, that she made the boar-demon by shooting it. Ashitaka is not too happy to hear this, but then also finds out that Iron Town is a refuge for ancient Japan’s social outcasts, such as prostitutes and lepers. Because of this he finds it hard to hate Eboshi. That night, San breaks into Iron Town, and tries to kill Eboshi. However Ashitaka gets in the way, using his curse power’s to stop the fight between Eboshi and San. San leaves with Ashitaka, but as they are leaving, he is shot in the chest and dies. San takes him to the forest spirit, who brings him back to life, but does not remove the curse.

Shortly after, Boars, led by the boar god Okkoto, arrive to attack Iron Town. San joins them. Eboshi gets ready for the attack and sets out to destroy the Forest Spirits. Jigo now reveals himself to be a mercenary-hunter, he intends to give the head of the Boar to the emperor, in return for Iron Town’s protection.

The hunters devastate the boars, and Okkoto is driven mad by a gunshot wound. The Forest Spirit comes and kills Okkoto, but Eboshi appears and shoots the Forest Spirit in the head, decapitating it. Jigo takes the head of the fallen spirit, but it’s body transforms into a mindless god of death, which starts to destroy everything in it’s path, in search for it’s stolen head.

Ashitaka and San go looking for Jigo, in order to take back the head, so they can return it to the Forest Spirit. The Forest Spirit falls in to the lake, turning the land green, and healing all the lepers and accursed, including Ashitaka and San. They both then go back to their old lives, but promise to meet again. Ashitaka decides to rebuild Iron Town, with a now reformed Eboshi, who vows to make a better village. The film ends with the lovely Kodama appearing to help the forest.

The are many reason’s why you should watch this film. The first is, this is one of the rare Studio Ghibli films where the main protagonist is male. Another is the music. Studio Ghibli have this fantastic way of matching the music to the film just perfectly, something that I think goes astray in western films sometimes. One of the other reasons has to be the story. I think what Miyazaki is trying to tells us here, is that we need to look after our planet, before we do way too much damage that we can’t fix.

The animation is beautifully done, and I know I have repeated that statement every week so far, but it doesn’t stop it being true. The film went though some alterations when coming out here in the West, the story remained unchanged, however specific Japanese terms were replaced to make things a little easier on us Westerners. Terms like Jibashiri and Shishigami, that appear in the Japanese version, were changed to more general terms, such as Mercenary and Forest Spirit. These changes where made by Neil Gaiman, writer of Sandman.

It was also given two thumbs up from Harry Knowels of Ain’t It Cool News. Now if Harry gives it two thumps up, that should tell you that you need to see this film immediately, at least, in my opinion. I hope if you do get your hands on it, you enjoy it as much as I did, and that with repeat viewings, you will grow to love it as much as I do.

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